EXPLAINED · ARE ÉTUDES NECESSARY?
EXPLAINED · ARE ÉTUDES NECESSARY?
Boris Giltburg answers the question: Are Études necessary?
directed by Stephan Aubé
image · Franck Tusolini
edited by Sarah Levine
sound production, engineering and mix · Clémence Fabre
camera · Franck Tusolini and Stephan Aubé
AV coordinator · Ole Frederiksen and Morten L. Jensen
librarian · Sidse Buck
photos · Ritzau Scanpix
produced by Louisiana Museum of Modern Art
artistic producer · Lars Fenger
executive producer · Stephan Aubé
filmed and recorded at Louisiana Museum of Modern Art
Musical extracts
Carl Czerny – 100 Easy Studies for piano op. 139, No. 3
Carl Czerny - Art of Finger Dexterity Op.740, No. 17
Franz Liszt - Transcendental Études S.139: IV (Mazeppa)
Frederic Chopin - Étude Op. 10, No. 3
Sergei Rachmaninoff - Études-Tableaux, Op. 39, No. 9
© Louisiana Museum of Modern Art - 2022
Schumann · Quartet III
Watch international worldclass musicians playing live the Schumann's quartet with piano
Schumann · Quartet IV
Watch international worldclass musicians playing live the Schumann's quartet with piano
Schumann · Quintet IV
Watch international worldclass musicians playing live the Schumann's quintet with piano
Schumann · Quintet I
Watch international worldclass musicians playing live the Schumann's quintet with piano
Schumann · Quintet II
Watch international worldclass musicians playing live the Schumann's quintet with piano
Schumann · Quintet III
Watch international worldclass musicians playing live the Schumann's quintet with piano
Schumann · The Sphinxes
Boris Giltburg’s personal view on Schumann’s Sphinxes
Sergey Malov
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Sergey Malov talks about the Shooting of the Bach's videos
Sergey Malov · Interview
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Have a nice moment with Sergey Malov who is talking about the Guillaume Connesson's music
Stéphan Aubé · Interview
The french director explains how he works and the way he filmed the Guillaume Connesson's videos
Stéphan Aubé · Precipitato Interview
The video director Stéphan Aubé is talking about the making of the "Precipitato" video clip.
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