EXPLAINED · WHY DO YOU HAVE TO WEAR A TAILCOAT?

Boris Giltburg answers the question: Why do you have to wear a tailcoat?

directed by Stephan Aubé
image · Franck Tusolini
edited by Sarah Levine
sound production, engineering and mix · Clémence Fabre
camera · Franck Tusolini and Stephan Aubé
AV coordinator · Ole Frederiksen and Morten L. Jensen
librarian · Sidse Buck
photos · Ritzau Scanpix
produced by Louisiana Museum of Modern Art
artistic producer · Lars Fenger
executive producer · Stephan Aubé
filmed and recorded at Louisiana Museum of Modern Art
Musical extract
S. Rachmaninoff - Piano Concerto No. 3 in D minor, Op. 30
© Louisiana Museum of Modern Art - 2022

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Behind the notes of Liszt Piano Sonata in B minor
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Watch Sergey Malov playing the famous Mendelssohn’s Octet
Mirages
Three uniquely musical friends breaking new ground at a wild recording session held
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Mussorgsky | Chicks
Watch Andreas Haefliger plays the piece “Ballet of the unhatched chicks” extract from the Pictures at an Exhibition by Modest Mussorgsky
Mussorgsky · The Promenades
Boris Giltburg’s personal view on Mussorgsky’s Pictures at an Exhibition
Nocturne
A supernatural journey between dream and reality
Opsahl · Breathe
Josefine Opsahl’s music explores the synthesis of expressions, human, machine, analogue
and ambient. Her music is a manifest for the belief in the future.
Opsahl · Core
Danish cellist Josefine Opsahl performs her own composition in a gigantic wooden structure.
A journey to the heart of music!
Opsahl · Leave
Josefine Opsahl’s music explores the synthesis of expressions, human, machine, analogue
and ambient. Her music is a manifest for the belief in the future.
Opsahl · Solar
Josefine Opsahl’s music explores the synthesis of expressions, human, machine, analogue
and ambient. Her music is a manifest for the belief in the future.
Opsahl · Tide
Between the waves of the Baltic Sea, Josefine Opsahl interprets her own vision of Bach's famous cello suite. An exploration of divergent forces: feminine and masculin, flood and ebb