EXPLAINED · PEDALS | PART 1

Boris Giltburg explains the use of the 3 pedals on the piano

directed by Stephan Aubé
image · Prune Brenguier
edited by Sarah J. Levine
sound production, engineering and mix · Tullio Rizzato
camera · Prune Brenguier and Jules Boudon Chambre
assistant director · Marjorie Marramaque
AV coordinator · Ole Frederiksen and Morten L. Jensen
librarian · Grethe Røndal Christensen
photos · Ritzau Scanpix
produced by Louisiana Museum of Modern Art
artistic producer · Lars Fenger
executive producer · Stephan Aubé
filmed and recorded at Louisiana Museum of Modern Art

musical extract: Claude Debussy · Clair de lune

Liszt · The Motifs
Behind the notes of Liszt Piano Sonata in B minor
Mendelssohn · Octet
Watch Sergey Malov playing the famous Mendelssohn’s Octet
Mirages
Three uniquely musical friends breaking new ground at a wild recording session held
between art and construction
Mussorgsky | Baba Yaga
Watch Andreas Haefliger plays the piece “The Hut on Hen's Legs Baba Yaga” extract from the Pictures at an Exhibition by Modest Mussorgsky
Mussorgsky | Chicks
Watch Andreas Haefliger plays the piece “Ballet of the unhatched chicks” extract from the Pictures at an Exhibition by Modest Mussorgsky
Mussorgsky · The Promenades
Boris Giltburg’s personal view on Mussorgsky’s Pictures at an Exhibition
Nocturne
A supernatural journey between dream and reality
Opsahl · Breathe
Josefine Opsahl’s music explores the synthesis of expressions, human, machine, analogue
and ambient. Her music is a manifest for the belief in the future.
Opsahl · Core
Danish cellist Josefine Opsahl performs her own composition in a gigantic wooden structure.
A journey to the heart of music!
Opsahl · Leave
Josefine Opsahl’s music explores the synthesis of expressions, human, machine, analogue
and ambient. Her music is a manifest for the belief in the future.
Opsahl · Solar
Josefine Opsahl’s music explores the synthesis of expressions, human, machine, analogue
and ambient. Her music is a manifest for the belief in the future.
Opsahl · Tide
Between the waves of the Baltic Sea, Josefine Opsahl interprets her own vision of Bach's famous cello suite. An exploration of divergent forces: feminine and masculin, flood and ebb