For those with ears to see
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Boris Giltburg’s personal view on Schumann’s Sphinxes
Executive producer · Lars Fenger Directed by Stéphan Aubé Image · Cécile Trelluyer Edited by Sarah Levine Sound · Anna Tavernier © Louisiana Museum of Modern Art – 2016
Boris Giltburg’s personal view on Mussorgsky’s Pictures at an Exhibition
Boris Giltburg’s personal view on Tchaikovsky Piano Concerto No.1
Behind the notes of Tchaikovsky’s writting with Boris Giltburg.
Boris Giltburg explains the history of the prelude
Boris Giltburg explains the difficulties of playing by heart and how to overcome them
Boris Giltburg explains the history of piano pedals
Boris Giltburg explains the use of the 3 pedals on the piano
Boris Giltburg answers the question: Why and when do we have to clap in a classical music concert?
Boris Giltburg answers the question: Why keyboards have black and white keys?
Watch the French-Swiss flautist Emmanuel Pahud playing Lenski's Aria from Eugene Onegin by the Russian composer Peter Tchaikovsky
Behind the scales in the music history.
Behind the intervals in classical music history (part 1)
Behind the intervals in classical music history (part 2)
Watch the french clarinetist Paul Meyer playing the virtuoso Grand Duo Concertant with the pianist Eric Le Sage
A special, meditative musical flow arises between three musicians at a lovely concert hall by the sea