For those with ears to see
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Boris Giltburg’s personal view on Schumann’s Sphinxes
Executive producer · Lars Fenger Directed by Stéphan Aubé Image · Cécile Trelluyer Edited by Sarah Levine Sound · Anna Tavernier © Louisiana Museum of Modern Art – 2016
Boris Giltburg’s personal view on Mussorgsky’s Pictures at an Exhibition
Boris Giltburg’s personal view on Tchaikovsky Piano Concerto No.1
Behind the notes of Tchaikovsky’s writting with Boris Giltburg.
Boris Giltburg explains the history of the prelude
Boris Giltburg explains the difficulties of playing by heart and how to overcome them
Boris Giltburg explains the history of piano pedals
Boris Giltburg explains the use of the 3 pedals on the piano
Boris Giltburg answers the question: Why and when do we have to clap in a classical music concert?
Boris Giltburg answers the question: Why keyboards have black and white keys?
Watch Sergey Malov plays the famous Caprice n°24 by Niccolò Paganini
Watch Sergey Malov interprets the Caprice n°5 by Niccolò Paganini
A small prehistoric carnivore on the lookout for a recalcitrant insect.
Let’s talk about piano technique in 4 minutes!
Enjoy the Tango-Étude by Piazzolla played by the violinist Karen Gomyo
Watch the performance of the russian pianist Denis Kozhukhin playing the Precipitato by Prokofiev
Watch an amazing trio playing in the Sculpture Park at Louisiana Museum of Modern Art
Behind the notes of Rachmaninov “Red Riding Hood”
Behind the notes of Rachmaninov Preludes for piano
Behind the notes of Rachmaninov Theme & Variations
Modigliani Quartet interprets Schubert’s Presto extract from String Quartet No. 7
Behind the notes of Schumann “Arabesque”