For those with ears to see
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Boris Giltburg’s personal view on Schumann’s Sphinxes
Executive producer · Lars Fenger Directed by Stéphan Aubé Image · Cécile Trelluyer Edited by Sarah Levine Sound · Anna Tavernier © Louisiana Museum of Modern Art – 2016
Boris Giltburg’s personal view on Mussorgsky’s Pictures at an Exhibition
Boris Giltburg’s personal view on Tchaikovsky Piano Concerto No.1
Behind the notes of Tchaikovsky’s writting with Boris Giltburg.
Boris Giltburg explains the history of the prelude
Boris Giltburg explains the difficulties of playing by heart and how to overcome them
Boris Giltburg explains the history of piano pedals
Boris Giltburg explains the use of the 3 pedals on the piano
Boris Giltburg answers the question: Why and when do we have to clap in a classical music concert?
Boris Giltburg answers the question: Why keyboards have black and white keys?
Watch international world class musicians playing live the Franck’s quintet with piano
Behind the notes of Grieg Piano Concerto.
Guillaume Connesson talks about the influence of the american composer John Adams on his own music
The french composer talk about the genesis of the writting of the Constellations
Guillaume Connesson explains the circumstances of the writting of the Disco-Toccata
The french composer talk about his 3 sonatas for strings
Watch the violin solo of the Berlin Philharmonic Orchestra playing the Haendel's Passacaille with the cellist Jing Zhao
Watch Lise Berthaud plays the 4th movement from the Sonata for viola solo by Paul Hindemith
Watch the violinist Karen Gomyo and the cellist Christian Poltéra playing this Allegro from the Honegger' Sonata for violin and cello
Jérôme Pernoo tell us how he discovers the Guillaume Connesson's music
The two musicians have a nice and funny talk about the making of the Honegger's video